Like any artist about to launch his music to the world, Bad Bunny was nervous on the eve of the release of his new album, DeBÍ TiRAR MáS FOToS, on January 5. But the Puerto Rican superstar had particular reason to feel on edge this time: He was releasing an album that,

Bad Bunny’s ‘Debi Tirar Mas Fotos’ rises to Number One, making it the Puerto Rican superstar’s fourth album to top the Billboard 200.

New music Fridays is slowing and quietly becoming a thing of the past. Behind Tyler The Creator and Earthgang, Bad Bunny is the latest superstar to ditch the traditional release schedule for his new album, Debí Tirar Más Fotos. For the “ Baile Inolvidable ” musician, it has paid off.

Bad Bunny hits No. 1 on the Billboard 200 with ‘Debí Tirar Más Fotos,' while Taylor Swift's 'Lover: Live From Paris' reenters the chart at No. 2.

In “Debí Tirar Más Fotos” (“I Should’ve Taken More Photos”), his sixth studio album and love letter to Puerto Rico, Bad Bunny proves that there is no other musician in the world like him.

Bad Bunny chose to release his sixth solo album, “Debí Tirar Más Fotos” (“I Should Have Taken More Photos”), on Día de Reyes or Three Kings Day, the last of the winter holidays for Latinos — Argentines,

The musician, whose real name is Benito Antonio Martínez Ocasio, was born and raised less than an hour from San Juan in the neighborhood of Vega Baja in Almirante Sur. In his sixth studio album, "Debí Tirar Más Fotos" or in English, "I Should Have Taken More Photos," Bad Bunny travels back to his barrio's roots.

Bad Bunny created his most Puerto Rican album to date, 'Debí Tirar Más Fotos,' with the help of the island's rising stars, who brought their own flair to the LP.

Bad Bunny is crying tears of joy. The Latin star posted a short TikTok video of himself tearing up with the simple caption "tik tok" in response to a new trend on the app, which is centered around the title track from his new album Debí Tirar Más Fotos.

Across five studio albums in just over six years, Bad Bunny has made music for the masses without sacrificing his culture. Now, as he enters his 30s, Benito has paused to reflect on this unprecedented moment: a time when música urbana has surged onto the global stage and risks being diluted by its own commodification.