The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to get used to: "it took the first day of shooting and a mini panic attack."

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.